Tell me the landscape in which you live, and I will tell you who you are.
Jose Ortega y Gassett

Wednesday, August 3, 2011

Goose Girl, part three

Finding the story to which one's life responds to, or the myth in which one plays a part, can be a helpful piece of soulwork and psychological work. If we use the story as a map of not only our unconscious but also of the role we are in at any given moment in our lives, we can employ the teachings of the ancient ones by listening more deeply to the stories that are passed down. What are the pearls that are wept? What is her true treasure that the Goose Girl inherits? What does it mean to be reunited with family, to forgive a wrong done, to ask for that forgiveness? What does it mean to be authentic to one's heart, one's life? What is authenticity? Let us see if the story can teach us...

But the fair maiden was sad. She sat down and wept bitterly. One tear after another forced itself out of her eyes, and rolled through her long hair to the ground.

There she sat, and would have remained sitting a long time, if there had not been a rustling and cracking in the boughs of the neighboring tree. She sprang up like a roe which has been overtaken by the shot of the hunter. Just then the moon was obscured by a dark cloud, and in an instant the maiden had put on the old skin and vanished, like a light blown out by the wind. She ran back home, trembling like an aspen-leaf. The old woman was standing on the threshold, and the girl was about to relate what had befallen her, but the old woman laughed kindly, and said, I already know all. She led her into the room and lighted a new log. She did not, however, sit down to her spinning again, but fetched a broom and began to sweep and scour. All must be clean and sweet, she said to the girl. But, mother, said the maiden, why do you begin work at so late an hour. What do you expect. Do you know then what time it is, asked the old woman. Not yet midnight, answered the maiden, but already past eleven o'clock. Do you not remember, continued the old woman, that it is three years to-day since you came to me. Your time is up, we can no longer remain together.

The girl was terrified, and said, alas, dear mother, will you cast me off. Where shall I go. I have no friends, and no home to which I can go. I have always done as you bade me, and you have always been satisfied with me. Do not send me away. The old woman would not tell the maiden what lay before her. My stay here is over, she said to her, but when I depart, house and parlor must be clean. Therefore do not hinder me in my work. Have no care for yourself, you shall find a roof to shelter you, and the wages which I will give you shall also content you. But tell me what is about to happen, the maiden continued to entreat. I tell you again, do not hinder me in my work. Do not say a word more, go to your chamber, take the skin off your face, and put on the silken gown which you had on when you came to me, and then wait in your chamber until I call you. But I must once more tell of the king and queen, who had journeyed forth with the count in order to seek out the old woman in the wilderness.

The count had strayed away from them in the wood by night, and had to walk onwards alone. Next day it seemed to him that he was on the right track. He still went forward, until darkness came on, then he climbed a tree, intending to pass the night there, for he feared that he might lose his way. When the moon illumined the surrounding country he perceived a figure coming down the mountain. She had no stick in her hand, but yet he could see that it was the goose-girl, whom he had seen before in the house of the old woman. Oho, cried he, there she comes, and if I once get hold of one of the witches, the other shall not escape me. But how astonished he was, when she went to the well, took off the skin and washed herself, when her golden hair fell down all about her, and she was more beautiful than anyone whom he had ever seen in the whole world. He hardly dared to breathe, but stretched his head as far forward through the leaves as he could, and stared at her. Either he bent over too far, or whatever the cause might be, the bough suddenly cracked, and that very moment the maiden slipped into the skin, sprang away like a roe, and as the moon was suddenly covered, disappeared from his sight.
Hardly had she disappeared, before the count descended from the tree, and hastened after her with nimble steps. He had not been gone long before he saw, in the twilight, two figures coming over the meadow. It was the king and queen, who had perceived from a distance the light shining in the old woman's little house, and were going to it. The count told them what wonderful things he had seen by the well, and they did not doubt that it had been their lost daughter. They walked onwards full of joy, and soon came to the little house. The geese were sitting all round it, and had thrust their heads under their wings and were sleeping, and not one of them moved. The king and queen looked in at the window, where the old woman was sitting quite quietly spinning, nodding her head and never looking round. The room was perfectly clean, as if the little mist men, who carry no dust on their feet, lived there. Their daughter, however, they did not see. They gazed at all this for a long time, until at last they took heart, and knocked softly at the window. The old woman appeared to have been expecting them. She rose, and called out quite kindly, come in. I know you already.
When they had entered the room, the old woman said, you might have spared yourself the long walk, if you had not three years ago unjustly driven away your child, who is so good and lovable. No harm has come to her. For three years she has had to tend the geese. With them she has learnt no evil, but has preserved her purity of heart. You, however, have been sufficiently punished by the misery in which you have lived. Then she went to the chamber and called, come out, my little daughter. Thereupon the door opened, and the princess stepped out in her silken garments, with her golden hair and her shining eyes, and it was as if an angel from heaven had entered. She went up to her father and mother, fell on their necks and kissed them. There was no help for it, they all had to weep for joy. The young count stood near them, and when she perceived him she became as red in the face as a moss-rose, she herself did not know why. The king said, my dear child, I have given away my kingdom, what shall I give you. She needs nothing, said the old woman. I give her the tears that she has wept on your account. They are precious pearls, finer than those that are found in the sea, and worth more than your whole kingdom, and I give her my little house as payment for her services.
When the old woman had said that, she disappeared from their sight. The walls rattled a little, and when the king and queen looked round, the little house had changed into a splendid palace, a royal table had been spread, and the servants were running hither and thither. The story goes still further, but my grandmother, who related it to me, had partly lost her memory, and had forgotten the rest. I shall always believe that the beautiful princess married the count, and that they remained together in the palace, and lived there in all happiness so long as God willed it. Whether the snow-white geese, which were kept near the little hut, were verily young maidens no one need take offence, whom the old woman had taken under her protection, and whether they now received their human form again, and stayed as handmaids to the young queen, I do not exactly know, but I suspect it. This much is certain, that the old woman was no witch, as people thought, but a wise woman, who meant well. Very likely it was she who, at the princess's birth, gave her the gift of weeping pearls instead of tears. That does not happen nowadays, or else the poor would soon become rich.

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